User Guide

recording without rendering

2D Histogram [1], [2]

2D Histogram menu settings

2D Histogram node

2D luma histogram, in Colour Warper

2D Transform menu settings

2D Transform node

2D vectorscope, in Colour Warper

3D Blur [1], [2]

3D Blur menu settings

3ds Max import, in Action

Alembic import, in Action

deforming models

importing, in Action

modifying, in Action

particle generation, in Action

projected textures

specular highlights, in Action

transparency, in Action

creating, in Action

look-at, in Action

bevelling, in Action

creating, in Action

manual tracking in Action

Stabilizer, setting manual trackers

3D vectorscope, in Colour Warper

cameras, in Action

models, importing

A

About Timeline FX

Accessing the Axis Keyer

Accessing the Wipe Schematic

See also 3D models, 3D text, 3D tracker, media, particles, source nodes, surfaces

adaptive degradation options

bicubic surfaces

bilinear surfaces

blending curves per surface

blending surfaces

camera clipping planes [1], [2]

cameras, adding

creating branches in schematic

deformation meshes, adding

deforming models

diffuse mapping

displacement mapping

emission mapping

flipping normals

functions, using with particles

garbage masks as geometry

image-based lighting

in Batch or Batch FX

Magnet Curve Editor

menus, accessing

models, importing

Modular Keyer, accessing

multiversion clips, loading

OpenEXR support

parallax mapping

particle presets

Perspective Grid

Photoshop files, importing

position mapping

Priority Editor

processing options

projector blend modes

reflection mapping

replacing front or matte clips

schematic, using

selective lighting

setups, loading

specular highlights [1], [2]

specular mapping

Substance textures

Z-buffer for shadows

Z-buffer setting

Adding Axis Timeline FX

Adding Axis Timeline Transition

Adding Colour Correct Timeline FX

Adding Compression Timeline FX

Adding Delay Send Timeline FX

Adding Dissolve Timeline Transition

Adding EQ Timeline FX

Adding Fade Timeline Transition

Adding Gain Timeline FX

Adding Gate Timeline FX

Adding Matte Containers

Adding Modulation Send Timeline FX

Adding Resize Timeline FX

Adding Reverb Send Timeline FX

Adding Sparks Timeline FX [1], [2]

Adding Text Timeline FX

Adding Timeline FX to Gaps

Adding Timeline transitions

Adding Timewarp Timeline FX

Adding Wipe Timeline FX

Adding Wipe Timeline Transitions

Adjusitng Preset SMPTE and Custom Wipes

adjusting aspect ratio, viewing aspect ratio, aspect ratio, broadcast monitor

advanced gradient

pickers, using with

removing, in Tracer

softness borders

auto-conforming

copying into Lustre

marking shots for later capture

models, importing

using to view colour distributions

accessing in Action

converting results

ground plane, defining

object tracking

real world measures

garbage masks with tracking

geometries with the point tracker

geometries with the shape tracker

reposition values

shape of geometries with the point tracker

with the Tangent CP100

Animation Channel Editor

expressions, creating

keyframe indicators

linking channels with expressions

previewing in Paint

Animation Channel Editor

adding keyframes

panning, zooming

animation curves

copying,keyframes

flipping channels

mattes, deleting in Colour Warper

adding from outside the Animation menu

adding keyframes

adjusting duration

adjusting timing

breaking tangent handles

editing keyframes

hiding inactive tangents

modifying curves

panning and zooming

resetting tangents

reversing keyframe order

selecting channels

undoing and redoing

using the channel hierarchy

Anisotropic shading, in Action

applying grades

archaic archive

archive [1], [2], [3]

archive configuration

archive selection

archive, best practice

archive, delete

archive, DLT [1], [2], [3], [4]

archive, LTO [1], [2], [3], [4]

archive, other locations

archive, projects

archive, SAIT [1], [2], [3], [4]

archive, setups

archive, supplementing

archive, to restore clips

archive, to restore projects

archive, troubleshooting

restoring previous versions

archives, leagacy

archiving folders

ASCII table of contents, recovering

Asian character sets

aspect ratio, setting for the output frame

outputting using

EDLs, ALE and Cutlist files

assembling in stereoscopic projects

assembling stereoscopic EDL files

Atomize node, in Action

capturing a file

generating keyframes

importing and offsetting

importing from Wiretap

LTC chase option

monitoring options

offsetting the file

patching, in EDLs

playing out with video

use explicit timecode

Audio Preferences

Auto Edit after Add

Auto Matte [1], [2]

Auto Matte menu settings

Auto Matte node

Auto Stabilize menu settings

Auto Stablize node [1], [2]

Autodesk control surface

individual surface descriptions

Autodesk Control Surface

autograding, shots based on sampled pixels

automated dust removal

playing recorded strokes

recording brush strokes

Average [1], [2]

Average menu settings

adding and deleting from geometries

moving within geometries

viewing in schematic view

creating a parent axis

deleting an axis

view of geometries and their axes

axes, in Action

B

back up system, to

caching degrained frames

Backburner Manager, starting

Backburner Monitor

Linux workstation, accessing from

monitoring render tasks

background rendering

baking keyframes

banking, 3D path in Action

adding to sequence

See also reference image overlay

batch, digitizing

Bezier curves, for polygons

bicubic surfaces, in Action

bilinear surfaces, in Action

black clip, adding to the Storyboard

modifying for input LUTs

black media, adding to the Timeline

blacking VTR tapes

Blend & Comp [1], [2]

Blend & Comp Menu settings

Blend & Comp Node

surfaces, in Action

blending curves

per surface, in Action

adding, in Action

Blur menu settings

in Colour Warper

adjusting for dust removal

adjusting for grain removal

adjusting printer lights

modifying for low, mid, or high levels

modifying for the entire image

brush attributes

Direction [1], [2], [3]

Jitter [1], [2]

Opacity [1], [2]

Pressure [1], [2], [3]

using reference images

Brush Spacing preference

See also special effects media

attributes, setting in Paint node

setups, saving and loading

strokes, applying

Bump Displace [1], [2]

Bump Displace menu settings

Bump Displace node

Burn for Lustre

rendering locally

rendering remotely

Burn-In Letterbox [1], [2]

Burn-In Letterbox menu settings

Burn-In Letterbox node

Burn-In Timecode [1], [2]

Burn-In Timecode menu settings

Burn-In Timecode node

menu parameters

menu parameters, in a stereoscopic project

menus with the Autodesk control surface

C

degrained frames

for real-time playback

memory with the Tangent CP100

removal of degrained frames

applying values to UI elements

using to calculate timecode

calibrating. See monitor calibration

cameras, in Action

clipping planes [1], [2]

modifying [1], [2]

cancelling, actions

clearing strokes

from a batch list

from an EDL, ALE or Cutlist file

live video signals

performing live from non-controlled source

removing pulldown

shots after the initial conform

supported video formats

video, overview

with timecode breaks

Car Paint shading, in Action

cascading 3D text, in Action

adding, in Action

catalogues, keyboard shortcuts

catastrophic system failure

adding data to EDL file

example workflow

loading data in EDL panel

parameter in Selector

using to track changes

analysing audio

linking channels with expressions

particle parameters

channel hierarchy, using to animate channels

selecting for a key

viewing animated

viewing selected animated

modifying, in Colour Warper

chroma key, green screen, Modular Keyer

Clamp menu settings

colours, in Colour Warper [1], [2]

cleaning up, render files

strokes, sources

See also clips, capturing, outputting

configuring hardware

generating proxies at capture

HD formats, supported

input using VTRs

monitoring video

naming clips and tapes for

outputting to a VTR

software initialization configuration file

using VTR, general workflow

See also clip I/O

ganging in Source Area

inserting on timeline

locking duration

overwriting on timeline

replacing on timeline

splicing, on Desktop

unlocking duration

cloning, in Paint node

collaboration [1], [2]

collapsing, Storyboard

adjusting, in Colour Corrector

colour casts, in Colour Warper

Colour Correct menu settings

colour correcting

clamping, in Colour Warper [1], [2]

colour balance, adjusting

colour values, remapping

contrast, adjusting

contrast, decreasing

contrast, in Colour Warper

contrast, increasing

deleting, in Colour Warper

desaturation, in Colour Warper

gamma, adjusting

imbalances, in Colour Warper

in Colour Warper

inverting mattes, in Colour Warper

luma ranges, defining

matching colours

matching, in Colour Warper

offsets, adjusting

pivot, adjusting

removing colours, in Colour Warper

resetting in Colour Warper

sampling colours

sampling, in Colour Warper

saturation, adjusting

spills, removing in Colour Warper

suppressing colours

suppressing colours, in Colour Warper

Colour Corrector

accessing from Action

accessing from other modules, tools

background brightness, changing

overlay user interface

RGB channels, rewiring

setups and preferences, saving

updating images interactively

Colour Curves [1], [2]

Colour Curves menu settings

Colour Curves node

accessing Colour menus

accessing secondary grading menus

animating grades

creating continuity grades

curves grading [1], [2], [3], [4]

hot keys [1], [2]

in a stereoscopic project

keying ranges of colours to create secondaries

loading presets

primaries with the Autodesk control surface

primary grading [1], [2]

secondaries with the Autodesk control surface

secondaries with the Tangent CP100

secondary grading [1], [2], [3]

selecting Logarithmic or Linear mode

using control surfaces

using printer lights

colour management

applying to broadcast monitor or projector

applying to clips

applying to display

Colour Matching on the Timeline

selecting to key with in Keyer

colour gradient

colour sampling

setting for projects [1], [2]

UI differences between Logarithmic and Linear mode

colour space conversion, enabling on clip I/O

removing, in Colour Warper

colour transforms

applying on import (Lustre)

applying to display

applying to display (Lustre)

applying to export (Lustre)

applying to render (Lustre)

building custom

building custom (Lustre)

exporting (Lustre)

graphicsMonitor alias

transcode options (Lustre)

accessing [1], [2]

colour correcting

reference clips, viewing

resetting colour corrections

viewports, displaying

working environment

Coloured Frame [1], [2]

Coloured Frame menu settings

Coloured Frame node

colourimeter, calibrating a monitor

colourist timeline

adjusting for geometries

comparing when creating conversion LUTs

sampling values

setting Colour view in the Player

viewing distributions with the Analyse tools

Combine [1], [2], [3]

Combine menu settings

Combine node [1], [2]

Command Line Renderer

compare offline, compare online

grades with the Autodesk control surface

grades with the Tangent CP100

shots using a reference

shots using multi-view

compressed media

browsing for footage

confidence check, performing

confirming, actions

conform [1], [2], [3], [4], [5], [6]

Constant shape, for garbage masks

creating on timeline

continuity grades, overview

continuity, matching colours between shots

adjusting in Colour Corrector

adjusting in Colour Warper

adjusting, pivot in Colour Corrector

decreasing, in Colour Corrector

gamma, in Colour Warper

increasing, in Colour Corrector

modifying in Linear mode

modifying in Logarithmic mode

saturation, in Colour Warper

setting the pivot point

control surface

Autodesk Control Surface, connecting

control surfaces

Autodesk control surface

using for colour grading

data with input LUTs

from logarithmic to linear

Cook-Torrance shading, in Action

audio files into Lustre

EDL, ALE, and Cutlist files into Lustre

grades in the colourist timeline

grades with the Autodesk control surface

grades with the Tangent CP100

keyframes [1], [2], [3], [4]

objects in Paint

parameters with the Selector

shapes and grades

Copying Moving Removing Timeline Transitons

Copying Timeline FX

Creating a Text Matte Key

Creating Your Own Matchbox Effects

credits, adding to the timeline

creating in Colour Corrector

using, in Colour Warper

cropped frames, repositioning

activating on the Autodesk control surface

adjusting degrain

adjusting saturation

measuring for monitor calibration

modifying lightness

modifying luminance

modifying RGB channels

plotting colour values

curves colour grading

with the Autodesk control surface

with the Tangent CP100

custom brushes, in Paint node

the view with the Autodesk control surface

the view with the Tangent CP100

cut point, sliding between shots

auto-conforming

copying into Lustre

marking shots for later capture

adding drop shadows

colour correcting

adding overlays

changing without affecting grade settings

inserting between shots

tracking changes

D

Damage [1], [2]

Damage menu settings

Deal menu settings

Deform [1], [2]

Deform menu settings

deformation meshes

adding, in Action

deformation models, in Action

Degrain [1], [2]

adjusting response curves

adjusting spatial settings

analysing a frame

applying a filter

applying temporal settings

caching results

copying parameters using Selector

saving and loading presets

using secondaries

using sub-region boxes

Degrain menu settings [1], [2]

Deinterlace [1], [2]

Deinterlace menu settings

Deinterlace node

Delaunay tessellation

grades, from Grade bin

shots from Library

deleting elements

Denoise [1], [2]

Denoise menu settings

Depth of Field [1], [2]

Depth of Field menu settings

Depth of Field node

depth of field, in Action cameras

destination, specifying render files for

developing, Sparks

extracting keys

scaling geometries

setting tolerance range

skewing geometries

viewing secondaries [1], [2]

Difference Matte [1], [2]

Difference Matte menu settings

Difference Matte node

different resolutions

diffuse maps, in Action

Direction brush attribute [1], [2], [3]

directories, setting up for projects [1], [2]

reframing settings

discrete archive

displacement maps, in Action

displaying, sources as overlays

adding between shots

adding in the Timeline

changing duration

changing orientation in the Timeline

creating additional handles for

disabling and re-enabling

editing in the Timeline

in the Timeline

removing in the Timeline

Distort [1], [2]

correspondence points

garbage mask splines

linking source nodes

morphing workflow

schematic, using

setups, saving and loading

source interpolation

splines, animating

splines, drawing

splines, editing

splines, instancing

splines, transforming

tracking and stabilizing

warping workflow

Distort menu settings

DLT, archiving clip

DLT, archiving project

DLT, configuration

DLT, restoring clips

DLT, restoring project

double-speed tape

basic geometries

free-form geometries

drawing. See painting

adding to cutouts

in a stereoscopic project

viewing on the SDI monitor

dual-serial link I/O, configuring

choosing a repair type

choosing manual or automated

dealing with problem dust artefacts

optimizing parameters

performing automated

performing manual

rendering [1], [2]

saving metadata

using the infrared channel

E

Edge Detect [1], [2]

Edge Detect menu settings

Edge Detect node

edges, modifying for keys

accessing the edit menu [1], [2], [3]

duplicating shots in the Storyboard

frames by trimming

hot keys [1], [2], [3]

in a stereoscopic project

in and out points interactively

keycode in EDLs

overview [1], [2]

shot order in the Storyboard

shots from the Storyboard

shots from the Timeline

timecodes in EDLs

timewarps in EDLs

transitions in EDLs

with the Storyboard

XML-based files

editing import settings

assembling [1], [2]

assembly workflow

auto-conforming

copying into Lustre

EDL display and functionality

marking shots for later capture

assembly options

display options

editing comments

editing options

editing transitions

importing options

marking events for capture

preferences, importing

tape name, editing

timewarps, editing

tracks, editing

transitions, editing

Effects and Tools reference

effects, creating with Sparks

emission maps, in Action

export, default

exporting, EDL files

Exposure [1], [2]

Exposure menu settings

CascadeChannel keyword

functions [1], [2]

linking channels

SelectionOrder keyword

user-defined functions

elements from an edit sequence

extrapolation, setting

F

cameras, in Action

exporting 3D tracker results

FBX cameras, in Action

Field Merge menu settings

Field Merge node

field-based processing, setting the active field

file archive, to restore

file browser, accessing

file formats, supported for playback

fill objects, drawing

filling areas, in Paint

Filter [1], [2]

Filter menu settings

fit to fill edit

Flip menu settings

flipbook, previewing animation in Paint

flipping, shots

flopping, shots

FontMapping keyword

format preset, default

format, setting the output for render files

FrameCut command

Fresnel shading, in Action

full-resolution images, displaying

full-screen Player

panning and zooming

functions, in expressions

G

adjusting in Colour Corrector

adjusting luminance of key in Keyer

gain, modifying

adjusting for the monitor manually

adjusting in Colour Corrector

adjusting, in Colour Warper

measuring for monitor calibration

modifying for input LUTs

Garbage Mask menu settings

Action 3d geometry

animating in Tracer

animating with tracking

Distort, importing

interlaced rendering

loading and saving setups

motion blur, applying

order they are drawn

ROI (Region of Interest), using with multiple garbage masks

schematic, viewing

softness, with advanced gradient

tangent handles, moving

tangent handles, selecting

turning on and off

vertices, activating

vertices, adding

vertices, adjusting number drawn freehand

vertices, deactivating

vertices, deleting

vertices, moving

vertices, removing

vertices, selecting

garbage masks, loading setups

applying, in Colour Warper

general preferences

generating, proxies

adding and deleting axes

adjusting shapes

animating with the point tracker [1], [2]

animating with the shape tracker

assigning tracking data

changing priority order

copying shapes and grades

creating a parent axis

creating with the Autodesk control surface

creating with the Tangent CP100

deleting an axis

deleting point tracker data from

drawing free-form

drawing split screens

grading inside and outside

linking across secondaries

setting colour and opacity

showing and hiding

softening edges

soloing and ganging point tracker

importing in Action

Glow menu settings

GLU tessellation

GPU preview processing

GpuNoAutoSwitch parameter

playing out from source with

accessing with the Autodesk control surface

applying grades

deleting grades

Grade menu, selecting a scene

applying grade to shots

deleting grades

loading presets

viewing media file information

applying from the Grade bin

applying to a new assembled timeline

comparing with the Autodesk control surface

comparing with the Tangent CP100

copying in the colourist timeline

copying unrendered changes to real-time deliverables

copying with the Autodesk control surface

copying with the Tangent CP100

emulating telecine-style tape

in a stereoscopic project

loading backup copies

loading from Grade view

maintaining when swapping cuts

reverting to previous with the Autodesk control surface

reverting to previous with the Tangent CP100

saving and loading using Marry controls

advanced, applying to garbage masks

animating in Paint

Gradient [1], [2]

gradient mattes, creating in Paint

Gradient menu settings

grading. See colour grading

grain removal. See Degrain

graphics, in Paint

anamorphic geometry

animating gradients

buffer, recalling from

buffer, storing to

changing order for objects

deleting objects

drawing objects

editing objects [1], [2]

gradients [1], [2]

hiding vertices

increasing speed

object attributes

outlining objects [1], [2]

resizing objects

resolution, setting for objects

rotating objects

selecting objects

shape animation

solid and soft edge objects [1], [2]

transforming objects

using AutoPaint with

wireframe [1], [2]

wireframe options

grids and guides

displaying the proper aspect ratio

applying changes to shots as a group

creating a shot group

soloing shots in a group [1], [2]

H

head frames, rendering

hiding, Storyboard

colour correcting, in Colour Corrector

matching, in Colour Warper

modifying, in Colour Warper

removing colour, in Colour Warper

in Colour Corrector

luma, viewing in Colour Warper

History list, loading for a grade

colour sampling

extracting keys

selecting channels for keys

setting softness range [1], [2]

viewing secondaries [1], [2]

accessing editing hot keys globally

assigning notes to shots

capturing and playing out with the numeric keypad

colour grading [1], [2]

creating animations

curves colour grading with the numeric keypad

editing with the numeric keypad

miscellaneous functions

navigating the Storyboard

navigating with the playback controls

switching view modes

using calculators

colourist timeline

for Player and full-screen Player

secondary layers

adjusting, in Colour Corrector

cube, in Colour Warper

shifting in Keyer

shifts, in Colour Warper

shifting for secondaries

shifting with curves

I

displaying the proper aspect ratio

image-based lighting

adding, in Action

applying colours and filters

applying random paint strokes

import [1], [2], [3], [4]

import history, to modify

import options, to modify

import, history

EDL, ALE, and Cutlist files

half-float media

Impressionist medium

individual files

infrared channel, using for dust removal

Input Clip menu

applying existing

comparing colour values

creating conversion LUTs

modifying gamma of film footage

modifying reference black and white levels

modifying reference soft clip values

viewing reference images

installing, Sparks

Interface menu, customizing Lustres appearance

Interlace [1], [2]

Interlace menu settings

interlaced video

garbage masks, rendering

interlaced video, setting the active field

interpolation, setting

keyframe values

inverting mattes

J

in Stabilizer, removing

removing from animation curve

Jitter brush attribute [1], [2]

joining, shots together

K

keyboard shortcut

determining for buttons

keyboard shortcuts

displaying errors

Keyboard Shortcut Editor

assembly workflow

editing in EDLs

Diamond Keyer using

HLS Keyer using

accessing from Action

garbage masks, using with

luminance curve, adjusting

Matte Edge controls

solid colour background, using

Keyer 3D [1], [2]

Keyer 3D menu settings

Keyer Channel [1], [2]

Keyer Channel menu settings

Keyer Channel node

Keyer HLS [1], [2]

Keyer HLS menu settings

Keyer Luma [1], [2]

Keyer Luma menu setting

Keyer Luma node

Keyer RGB [1], [2]

Keyer RGB menu settings

Keyer RGBCMYL [1], [2]

Keyer RGBCMYL menu settings

Keyer RGBCMYL node

Keyer YUV [1], [2]

Keyer YUV menu settings

adding and moving with the Tangent CP100

adding from outside the Animation menu

changing values

copying [1], [2], [3], [4]

copying and pasting

inverting values

keyframe indicators

modifying curves

navigating between

reversing order

scaling to adjust animation duration

setting extrapolation

setting interpolation

viewing channel ranges between

viewing selected

animating in Keyer

colour models, selecting in Keyer

edges of key, adjusting in Keyer

grey areas, removing from key in Keyer

hue, shifting in Keyer

with Diamond Keyer

with the Autodesk control surface, Diamond Keyer

with the Autodesk control surface, HLS Keyer

with the Tangent CP100

workflow in Master Keyer

creating to isolate ranges of colours

excluding from secondaries

removing stray pixels from

saving and loading presets

selecting channels

setting softness range, Diamond Keyer

setting softness range, HLS Keyer

setting tolerance range, HLS Keyer

shrinking edges

viewing results [1], [2]

L

layer order, of garbage masks

Lens Distort [1], [2]

Lens Distort menu settings

Lens Distort node

adding, in Action

letterbox formats

outputting clips with letterbox

letterbox, scaling

levels, selecting in the image for colour grading

deleting shots from

loading shots from the file browser [1], [2]

selecting shots for the Storyboard

adjusting luminance of key

lift, modifying colour values

lifting elements from an edit sequence

lightness, modifying using the Lightness curve

adding, in Action

flipping normals, in Action

selective lighting, in Action

specular highlights, in Action

limitations, XML-based files

limiting strokes

converting to log

defining luminance

grading with the Autodesk control surface

grading with the Tangent CP100

improving contrast

modifying gamma

modifying saturation

monitor calibration

using in Lustre

Linear mode, selecting levels

linking, geometries across layers

live video signals, inputting and outputting

shots to the Library

shots to the storyboard

stereoscopic footage

converting to linear

Logarithmic mode

adjusting printer lights

grading with the Autodesk control surface

grading with the Tangent CP100

improving contrast

modifying brightness for low, mid, or high levels

modifying brightness for the entire image

modifying saturation

monitor calibration

resetting brightness

setting the pivot point

using in Lustre

Logic Op [1], [2]

Logic Op menu settings

loading into Text module

overlay controls

overlay requirements

overlay, inserting in real-time

long-term storage

3D path in Action

using the Autodesk control surface

using the Tangent CP100

LTC chase option

use explicit timecode

LTO, archiving clip

LTO, archiving project

LTO, configuration

LTO, restoring clips

LTO, restoring project

adjusting after colour correction

adjusting ranges

adjusting, in Colour Warper

defining ranges, in Colour Corrector

viewing with 2D luma histogram

mattes, values for

modifying in Linear mode

modifying using the Luminance curve

LUT Editor [1], [2], [3]

comparing colours

LUT Editor menu settings

LUT Editor node

advanced editing

applying on import (Lustre) [1], [2]

applying to broadcast monitor or projector

applying to display

applying to display (Lustre)

applying to export (Lustre)

applying to render (Lustre)

basic modification

transcode options (Lustre)

M

Magnet Curve Editor, in Action

manual dust removal

Map Convert [1], [2]

Map Convert menu settings

Map Convert node

saving and loading using Marry controls

saving in Grade bin

See also garbage masks

Master Keyer [1], [2]

See also mattes, keying, Keyer, patches

steps for creating and refining a key

Master Keyer menu settings

Master Keyer node

Matchbox [1], [2]

Matchbox menu settings

colours between shots

colours, in Colour Corrector

colours, in Colour Warper

grade settings with a new assembled timeline

material node, in Action

Matte Curves [1], [2]

Matte Curves menu setting

Matte Curves node

Matte Edge [1], [2]

Matte Edge menu settings

Matte Edge node

adjusting colour

adjusting opacity

matte overlay settings

Auto Matte in Paint

changing colour

creating gradients

deleting from animation curve, in Colour Warper

deleting, in Colour Warper

garbage masks, removing parts

generating for selective colour correction

generating in Master Keyer

inverting, in Colour Warper

limiting strokes with matte

limiting strokes with source matte

luminance values

resetting, in Paint

See also special effects media

adding, in Action

grouping, in Action

loading, in Action

slipping, in Action

Medial Axis tessellation

caching with the Tangent CP100

bypassing with the Autodesk control surface

resetting with the Autodesk control surface

resetting with the Tangent CP100

metadata, saving for dust removal

colour correcting, in Colour Corrector

defining range, in Colour Warper

removing colour, in Colour Warper

mixed resolution

Modifying Timeline FX

accessing from Action

monitor calibration

adjusting black level and picture settings

adjusting manually

for dual-head mode

Logarithmic and Linear mode

reverting to previous settings

selecting project colour space

using a colourimeter

monitoring during clip I/O

monitoring location of current frame

monitoring options

Mono menu settings

one image into another

with the Warper [1], [2]

Motif menu settings

Motion Analysis [1], [2]

Motion Analysis menu settings

Motion Analysis node

garbage masks, applying

garbage masks, applying to stationary

Motion Blur [1], [2]

Motion Blur menu settings

Motion Blur node

Motion Convert [1], [2]

Motion Convert menu settings

Motion Convert node

Motion Convert node in Batch

creating with text

mouse functionality

activating on the Autodesk control surface

moving elements

moving, geometries

viewing on the SDI monitor

multi-camera edits

ganging to view clips

Multi-Layer Timeline

Top Vertical Priority

multi-part archive

multiple views in tools

multiversion clips, in Action

muted layers. See Multi-Layer Timeline

Muting and Deleting Timeline FX

MUX menu settings

MXF, supported codecs on import

N

between keyframes

the Storyboard [1], [2]

using the timebar and Storyboard

with playback controls and hot keys

with the Autodesk control surface

with the Tangent CP100

with Timeline navigation controls

custom, creating

noise, adding with Sparks

normal maps, in Action

assigning to shots

O

Object Group node

adjusting, in Colour Corrector

animating, in Stabilizer

sources in Paint node

Opacity brush attribute [1], [2]

opacity of garbage masks, controlling

opacity, adjusting for geometries

OpenEXR, importing

Optics [1], [2]

Optics Creating Glow Effects

Optics menu settings

OTOC, definition

output, view mode

letterbox overlay

live video signals

YUV material, using a VTR

user interface in Colour Corrector

overlays, adding to cuts

overwrite edits

P

See also graphics, in Paint

animating Paint strokes

Auto Matte command

brush attributes

colour correcting the clips

copying graphics

creating a matte

filling an area with colour

full-resolution film images

loading a matte

media. See special effects media, brush attributes

previewing animation

recording brush strokes

reference image overlay

reference images

revealing the back image

saving and restoring images

selecting brushes

selecting colours

tracking with AutoPaint

Wipe command [1], [2]

brush attributes, setting

canvas, clearing strokes

custom brushes, using

sources, clearing strokes

sources, deleting a node

sources, displaying reference image overlays

sources, locking

sources, removing

sources, revealing

strokes, applying

strokes, blending with current image

strokes, clearing

strokes, hiding

strokes, limiting with matte

strokes, limiting with source matte

circles with geometry

circles with object tool

full-resolution film images

limiting strokes with matte

limiting strokes with source matte

rectangles [1], [2]

triangles with geometry

animation curves

in Player and full-screen Player

with the Autodesk control surface

parallax maps, in Action

optimizing for dust removal

resetting with the Tangent CP100

setting for projects

applying textures

creating custom particles

creating manipulators

generating streams

setting Channel Editor properties

using functions

pasting, keyframes

Perspective Grid, in Action

Photoshop files

importing, in Action

advanced gradient, using with

assigning to vertices

defined [1], [2]

interpolation between keyframes

picture settings, adjusting

Pixel Analyser, sampling images

Pixel Spread [1], [2]

Pixel Spread menu settings

Pixel Spread node

pixels, removing from keys

toggling with the Autodesk control surface

toggling with the Tangent CP100

playback,changing speed

activating full-screen

aspect ratio, displaying

displaying the user interface

setting Colour View

viewing multiple shots

assigning reference images

assigning user interface to active playhead

toggling with the Autodesk control surface

shots in the Player

shots rendered with the Slave Renderer

defining in and out points when

from source with GPU preview processing

in Assemble mode

real-time deliverables

supported video formats

video, overview

plotting, sampled colour values

plugins. See Sparks

animating geometries with

animating the shape of geometries

soloing and ganging

polygons, drawing

position maps, in Action

post-production pipeline

integrating Lustre into

Potential Matches

for real-time deliverables

loading colour grading parameters

saving and loading for Degrain

saving and loading for grading

saving and loading for keys

saving colour grading parameters

Pressure brush attribute [1], [2]

primary colour grading

applying secondaries to

in Linear mode with the Autodesk control surface

in Linear mode with the Tangent CP100

in Logarithmic mode with the Autodesk control surface

in Logarithmic mode with the Tangent CP100

overview [1], [2]

print, view mode

accessing the calculator from

adjusting brightness

adjusting for secondaries

using in Log mode

Priority Editor, in Action

priority, garbage masks

in Colour Corrector

processing, image pipeline order

projectors, in Action

creating and loading

creating the directory structure [1], [2]

setting colour space architecture

setting parameters

setting the resolution

setting up for soft-imported clips

generating at clip capture

outputting in Action

removing for capture

Pulldown [1], [2]

Pulldown menu settings

Q

Quick Composite [1], [2]

Quick Composite menu settings

Quick Composite node

supported codecs on import

R

racking, to reframe footage

selecting for stereoscopy

Rate brush attribute [1], [2]

adding, in Action

rdesktop, monitoring results

real-time deliverables

copying changes to or from the grade file

creating presets

real-time playback

using GPU preview processing

with frame caching

recovering archives

Recursive Clone medium

Recursive Ops [1], [2]

Recursive Ops menu settings

Recursive Ops node

with the Autodesk control surface

with the Tangent CP100

cycling through multiple frames

loading clip into

moving split bar

reference overlay

showing and hiding split bar

turning split bar on and off

viewing, in Colour Warper

reference images

assigning to playheads

toggling playheads with the Autodesk control surface

viewing results of logarithmic to linear conversion

reference, setting the view mode

reflection maps, in Action

aspect ratio output frame

disabling settings

flipping and flopping shots

racking the image

using reposition controls

refreshing thumbnails

regions, rendering selected

Regrain [1], [2]

Regrain menu settings

relink [1], [2]

removing, dust and other artefacts

render files, removing

Render passes, in Action

BackBurner Manager, starting

burning in timecode

colour space, setting

dust removal data [1], [2]

file destination, specifying

flagging shots automatically

flagging single shots manually

head and tail frames

in a stereoscopic project

in the background

locally with Burn for Lustre

monitoring with Backburner Monitor

output format, specifying

region, specifying

remotely with Burn for Lustre

resolution, setting

selected region

setting quality for repositioned shots

with Burn for Lustre

with the Command Line Renderer

with viewing LUTs

repair type, selecting for artefact removal

replace media edit

replacing, shots in the Storyboard

after adjusting the project aspect ratio

interlaced footage using Sparks

setting rendering quality after

shots with the Autodesk control surface

shots with the Tangent CP100

using animation controls

with the tracker

in Colour Corrector

with the Autodesk control surface

with the Tangent CP100

Resize [1], [2]

Resize menu settings

resizing, real-time deliverables

restore clips, archive

restore project, archive

restricting strokes

retiming,playback speed for shots

revealing, sources in Paint node

reverting to previous

grades with the Autodesk control surface

grades with the Tangent CP100

reverting to previous, calibration settings

adjusting, in Colour Warper

RGB channels, adjusting individually with curves

ripple replace edit

ROI (Region of Interest), using with multiple garbage masks

Roll brush attribute [1], [2]

rotating the canvas

rotating, geometries

rotoscoping [1], [2]

S

SAIT, archiving clip

SAIT, archiving project

SAIT, configuration

SAIT, restoring clips

SAIT, restoring project

adjusting in the Tracer

colours, in Colour Corrector

sampling, pixels for autograding

adjusting with curves

adjusting, in Colour Corrector

correcting colour suppression, in Colour Warper

in Colour Warper

matching, in Colour Warper

modifying in Linear mode

modifying in Logarithmic mode

setups in Paint node

letterbox format

scaling geometries

Scene menu, selecting a scene

creating branches, in Action

garbage mask, viewing

selecting nodes

schematic view, toggling to

SDI monitor,viewing multiple shots

on the timeline

secondary colour grading

accessing grading menus

adjusting printer lights

applying Sparks

applying to the entire image

changing layer order

creating geometries

creating geometries with the Autodesk control surface

creating geometries with the Tangent CP100

creating keys with HLS Keyer

creating keys with the Autodesk control surface, Diamond Keyer

creating keys with the Tangent CP100

extracting keys with Diamond Keyer

extracting keys with the Autodesk control surface, HLS Keyer

grading outside the secondary

keying ranges of colours

loading garbage mask setups

loading tracker and stabilizer data

overview [1], [2]

performing colour grading

showing and hiding geometries

viewing key results [1], [2]

with the Tangent CP100

secondary layers [1], [2]

hotkeys [1], [2]

selecting and activating

segmented archive

raster for stereoscopy

selecting elements

selective colour grading. See secondary colour grading

creating, in Colour Warper

resetting, in Colour Warper

copying parameters

Degrain parameters

sequence [1], [2]

Action, loading

saving in Paint node

shader node, in Action

adding, in Action

See also softness

colour correcting, in Colour Corrector

matching, in Colour Warper

modifying, in Colour Warper

removing colour, in Colour Warper

shape animation

Shape channel, used for garbage mask animation

animating geometries with

region of interest

tracking through translation, rotation, scaling, partial occlusions

shapes, in Graphics (Paint)

sharing, changes between grades and real-time deliverables

shot priority. See Multi-Layer Timeline

adding dissolves

adding in Timeline

adding to the Storyboard

applying changes to a group

applying grades

assigning notes

comparing multiple in the Player

comparing using a reference

deleting from Library

dividing into scenes

duplicating in the Storyboard

identifying selection colours on the Storyboard

joining back together

moving to the storyboard

playing in the Player

reordering in the Storyboard

replacing in the Storyboard

repositioning with the Autodesk control surface

repositioning with the Tangent CP100

selecting in the Storyboard

setting to half resolution

slipping in the timeline

soloing [1], [2]

trimming head or tail frames

viewing information

Single view, enabling

Size brush attribute [1], [2]

size, setting the Storyboard view

skewing geometries

Slave Rendering

caching degrained frames

playing shots rendered with

sliders, modifying with the calculator

Sliding Timeline FX Keyframes

sliding, cut point in a shot

clips, in Action

slipping, shots in the timeline

setting for 2D vectorscope

snapping elements

softclip values, modifying for input LUTs

applying to geometries

in Colour Warper

refining garbage masks

setting range for keys, Diamond Keyer

setting range for keys, HLS Keyer

softness range, defined in Keyer

softness border

gradient in Tracer, removing

separating from mask border

software initialization configuration file

configuring VTRs

Solo mode. See Multi-Layer Timeline

source nodes in Action

replacing front or mattes

sources in Paint node

blending with current image

displaying overlays

limiting strokes

applying to secondaries

creating effects with

disabling and re-enabling

using to add noise

using to blur images

using to reposition interlaced footage

spatial Degrain settings

special effects media

Recursive Clone

specular highlights, on 3D models

specular maps, in Action

splice. See cuts

splice-in edits

by adding a shot to the Timeline

clips on Desktop

3D path, in Action

splines, creating in Distort

showing and hiding

turning on and off

split screens, drawing

correcting errors

importing and exporting data

jitter, removing

reference point, selecting

setting trackers for 3D tracking

shift values [1], [2]

smoothing camera motion

tracker and reference boxes

tracker, selecting

Stereo [1], [2]

Stereo menu settings

accessing features with Autodesk control surface

assembling an EDL

bypassing menu parameters

capture from tape

creating a project

loading footage into timeline

repositioning shots

stereo footage in Action

Stone filesystem

playing clips located on

updating thumbnails

adding a virtual clip

deleting shots from

duplicating shots in

inserting cuts between scenes

joining shots together

navigating [1], [2]

navigating using Timebar and Storyboard

navigating with the Autodesk control surface

navigating with the Tangent CP100

refreshing thumbnails

reordering shots

replacing shots

selecting shots

selection colours

setting view size

showing and hiding

sliding the cut point between shots

trimming frames interactively

viewing shot information

strict matching

strokes in Paint node

blending with current image

clearing canvas

limiting with source matte

strokes in Paint Node

limiting with matte

Stylize [1], [2]

Stylize menu settings

subsetups in Colour Warper

saving and loading

storing and retrieving

Substance Designer

Substance textures, from Maya

Substance textures, in Action

support preferences

supported file formats, in Lustre

supported formats

MXF import codecs

QuickTime import codecs

colours, in Colour Corrector

surfaces in Action

swapping elements

synchronizing eyes in a stereoscopic project

for the Command Line Renderer

T

tab stops, setting in Text

table of contents

using to recover an archive

tablet preferences

tail frames, rendering

tangent handles

automatic adjustment

breaking and reconnecting in garbage masks

moving, in garbage masks

removing in garbage masks

scaling in garbage masks

selecting, in garbage masks

adjusting to reshape geometries

breaking for animations

resetting broken handles

tape device [1], [2]

tape device, archive clip

tape device, archive project

tape device, restoring clips

tape device, restoring project

emulating grading with

temporal Degrain settings

adding text to a clip

Asian character sets

copying character channels

creating text layers

formatting in Text module

grouping layers

modifying layer properties

on-screen keyboard

text motion paths, creating

text rolls and crawls

text styles, defining

Text menu settings

text objects, in Paint

texture maps, using in FBX

applying in Action

particles, applying

projecting in Action

Substance Designer

Substance presets in Action

using Maya textures

refreshing in the Storyboard

updating in Storyboard

burning into render files

editing in EDLs

modifying the start value

viewing information

containers, creating

cue marks, adding

segment marks, adding

accessing the Timeline menu

adding a dissolve in

adding black media to

adding shots to

changing orientation of a dissolve in

checking against an offline cut

copying elements in

deleting elements in

deleting shots from

displaying Multi-Layer Timeline

editing a dissolve in

modifying the starting timecode

moving elements in

navigation controls

removing a dissolve in

selecting elements in

sliding an element

slip-and-slide Ripple Mode

slipping an element

slipping-and-sliding an element

snapping elements in

swapping elements in

trimming cursors

trimming with Ripple Mode

viewing element information

timeline effects preferences

timeline elements

Timeline FX menu settings

Timeline menu, accessing

timeline preferences

Timeline sort mode

accessing Timeline sort mode

hot keys [1], [2]

Timeline transitions

animation curves

timing, adjusting for animations

in Colour Warper

setting for keys, Diamond Keyer

setting range for keys, HLS Keyer

Tools bin, customizing

Top Vertical Priority. See Multi-Layer Timeline

advanced gradient mode

animating pickers

matte, fine-tuning

pickers, defined

troubleshooting

adding to timeline

animating garbage masks

animating selected vertices on garbage masks

by axis, in Distort

by axis, in Warper

by vertices, in Distort

by vertices, in Warper

repositioned shots

colour settings

format settings

output settings

objects in Paint

particles using manipulators

triangles, painting

cursors in the Timeline

frames in the timeline

head or tail frames

in and out points

shots for dissolves

with Ripple Mode in the Timeline

troubleshooting, problem dust artefacts

U

with the Autodesk control surface

with the Tangent CP100

unlocking clip duration, in Paint

updating Storyboard thumbnails

differences in Logarithmic and Linear mode

setting appearance of

user interface preferences

users, creating

UV maps, in Action

V

vectors, in expressions

vectorscope, in Colour Warper

adding to timeline

versioning, for film and video

vertices in garbage masks

activating and deactivating

adding and removing

adjusting number drawn freehand

applying tracking data

setting keyframing options

See also clip I/O

capture and playout, overview

capturing from timecode

capturing with timecode breaks

formats, supported

outputting multiple versions

video I/O timing

setting initial

setting [1], [2]

accessing with the Autodesk control surface

accessing with the Tangent CP100

animated curves

channel ranges between keyframes

multiple shots in the player

multiple shots on the SDI monitor

selected animated channels

selected keyframes

stereoscopic footage

viewports, displaying

See also clip I/O

controlling for video I/O

inputting clips

outputting clips

transport controls

vtr configuration

VTR Output module

vtr-based archive

W

adding a vertex

animation curves

creating a freehand mesh

keyframes, setting manually

locking the back clip

Magnet Curve Editor

meshes, creating

modelling controls

morphing one image into another

patches, adding

proportional mesh

source and destination meshes

source interpolation

subdividing a patch

tangent handles

tracking and stabilizing

tracking by vertices

using the magnet

vertices, moving

warping a still clip

warping and morphing, defined [1], [2]

colours, in Colour Warper

with the Warper [1], [2]

What's New Flame Premium

What's New in Flame

What's New in Flare

What's New in Flint

What's New in Inferno

What's New in Lustre

What's New in Smoke Advanced

white level, modifying for input LUTs

masks, creating

masks, drawing options

converting, in Action

display options

in garbage masks

caching degrained frames

importing audio

playing clips located on Stone FS

rendering options

setting up projects for soft-imported clips

creating animations

EDL and keycode assembly

integrating Lustre into post-production

monitor calibration

processing pipeline

X

CUT file data types

CUT file example

modifying CUT files

modifying Gateway clips

viewing and editing files

Y

YUV material, inputting and outputting

Z

setting in Action

animation curves

in Player and full-screen Player

with the Autodesk control surface

with the calculator