Resolution Settings
You can set the rendering resolution of clips that are output in Action. For example, if you are working in an NTSC 8-bit
project, the default output is NTSC 8 bits. However, if you want to change the output resolution to HD (1920x1080), use the
Resolution menu to change the values so the final outcome will be 1920x1080.
You can choose between progressive or interlaced when rendering at video resolution. Action media automatically adjust the
rendering mode of each clip. This inherent awareness also makes it possible for Action to properly mix field-based HD / PAL
with NTSC and not have dominance problems.
- Resolution Presets box
-
Select a resolution for the new clip. Select Custom to specify a non-standard resolution.
Once you make a selection from the Apply and Scale box, the resolution is set for processing clips, and is remembered between
Action sessions.
TipSelect Background Resolution to set the resolution to that of the background clip. The settings in the Resolution section
change automatically to reflect the background clip resolution. If there is no background clip, the settings revert to the
project resolution.
- Width field
-
Displays the custom width resolution of the clip. Editable.
- Height field
-
Displays the custom width resolution of the clip. Editable.
- Aspect Ratio Presets box
-
Select a standard frame aspect ratio. Select the Set to w:h option to set the clip to use square pixels. Select Custom to
define a custom frame aspect ratio in the Aspect Ratio field.
- Aspect Ratio field
-
Displays the custom render/output aspect ratio. Editable
- Frame Depth box
-
Select the render/output frame depth of clips.
- Scan Mode box
-
Select the scan mode of clips.
- Apply and Scale box
-
Select whether to apply or apply and scale the defined resolution settings. All subsequent processes will use the new render
settings.
| Select: |
To: |
| Apply |
Specify the output resolution. |
| Apply + Scale |
Specify the output resolution and scale a scene to the defined resolution. Use this option if you are working with a low resolution
of an Action setup from a previous version of Smoke. The scaling is applied to geometries, axes, lights, and cameras as well as their coordinates. Their positions are scaled
accordingly. Smoke automatically scales textures and images.
|
NoteIf you do not change the Resolution settings, rendered results and camera settings default to the values set for the current
project (set when you created a new project).
Stereo Settings
- Reset To Stereo Mode button
-
Enable to clear any previous stereo settings in Action, and reset all stereo settings to their defaults.
In the Stereo mode, these are the default settings when you enter Action with the Front/Back/Matte input option using stereo
clips:
- An FBX camera (stereo camera) is created and the default camera is hidden.
- In the FBX Camera menu, the Result Camera is set to the stereo camera.
- In the Output menu, the Mode is set to Stereo and the Camera is set to Result Cam.
- A stereo object is created with the clips you selected.
NoteIf you enter Action using mono clips, the default camera is automatically created. If you need a stereo camera, you must add
it manually.
Rendering Settings
Use the Rendering settings to improve the final output quality of your image.
- Z-Buffer box
-
Select an option to determine whether the distance from the camera eye is considered to determine the order in which objects
are rendered.
- Wireframe button
-
Enable to display each surface and 3D model as a wireframe.
This is useful if interaction with Action becomes slow because of many surfaces and 3D models. Convert objects to wireframe
when you want to speed up processing or rendering times. Because lighting and textures are not computed in wireframe mode,
interaction time and rendering times are reduced.
- Shading button
-
Enable to light up the scene using added light sources. When Shading is disabled, no lighting effects appear in the scene;
surfaces and 3D models appear flat.
Enable Shading for:
- Light sources
- Ambient or diffuse lighting for surfaces
- Specular highlights for surfaces and 3D models
- Clamp Colours button
-
Enable to clamp colour and luminance in the 16-bit floating point processing pipeline.
Anti-Aliasing Settings
- Software Anti-Aliasing Sample box
-
Select a software anti-aliasing sampling level.
The jagged lines that often occur along the edges of diagonal or curved lines when processing high-frequency images such as
text are the result of aliasing. You can increase or decrease the anti-aliasing sampling level (up to 64 samples). Higher
values yield smoother results at the expense of processing time.
- Anti-Aliasing Softness field
-
Displays the softness value of the software anti-aliasing sample. Editable.
- Hardware Anti-aliasing Sample box
-
Select a hardware anti-aliasing sampling level to accelerate edge anti-aliasing with no performance penalty. Available values
are dependent on graphics card and project graphic bit depth. Hardware anti-aliasing also gives anti-aliasing during normal
interaction instead of only while rendering.
You can combine hardware anti-aliasing level with software anti-aliasing to obtain the desired level of image quality. For
example, with hardware anti-aliasing set to 4 samples, and with 4 samples of software anti-aliasing selected, your results
should be similar to selecting 16 samples of software anti-aliasing, but with a processing time much closer to that of 4 samples.
You should experiment with different combinations to determine what works best for you.
Accumulation Settings
Use the Accumulation settings to define motion blur properties.
- Global Motion Blur button
-
Enable to use motion blur. Once enabled, specific Action object Motion Blur buttons can be enabled or disabled.
See About Motion Blur for specific examples of creating motion blurs.
- Samples field
-
Displays the quality of motion blur and the depth of field produced by the number of samples taken at each frame. Editable.
Increasing this value causes the processing time to increase linearly and affects the quality of the depth of field. The number
of motion blur samples is multiplied by the number of anti-aliasing samples. To reduce the total number of passes made for
each frame, reduce the level of anti-aliasing when motion blur is enabled.
- Phase field
-
Displays the frame that motion blur is based on (before or after the current frame). Editable.
A value of -100 places the motion blur before while a value of 100 places the motion blur after. A value of 0 is centred,
which evenly distributes the motion blur. The default value is 0.
- Shutter field
-
Displays the duration of motion blur at each frame (essentially the number of frames that the shutter is open). Increasing
this value does not increase the processing time. Editable
TipYou can animate the Global Motion blur button, as well as the Phase, Shutter, and Samples fields. They can be found in the
Channel Editor under the motion_blur folder.
- Motion Blur curve
-
Controls the sample weight over the scope of the motion blur.
- Home button
-
Resets the position of the motion blur curve after panning.
- Reset button
-
Resets the motion blur curve.